My work explores the relationship between Critical theory and skateboard ethics.
With influences as diverse as Caravaggio and L Ron Hubbard, new synergies are generated from both simple and complex structures.
Ever since I was a child I have been fascinated by the essential unreality of relationships. What starts out as yearning soon becomes corroded into a cacophony of distress, leaving only a sense of chaos and the prospect of a new beginning.
As momentary forms become distorted through diligent and repetitive practice, the viewer is left with an insight into the edges of our culture.
But Nobody Came
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